
Reprinted from the Foundation for Economic Education
Warner Bros. Discovery (WBD) recently made headlines when they canceled the release of their upcoming Batgirl movie, starring Michael Keaton, J.K. Simmons, and Leslie Grace in the title role.
Movies get canceled all the time, but what shocked many was the fact that Batgirl was already finished filming. In a statement, Warner Bros. Discovery (WBD) explained that shelving the project was part of a โstrategic shift.โ
โThe decision to not release Batgirl reflects our leadershipโs strategic shift as it relates to the DC universe and HBO Max,โ the statement read. โLeslie Grace is an incredibly talented actor, and this decision is not a reflection of her performance.โ
The decision led to confusion and criticism from many. One of the actors in the movie went as far as to call WBD CEO David Zaslav an imbecile.
The response from fans was one of bewilderment. Why cancel a movie that youโve already spent $90 million on? After spending so much, why not try to make back that money?
Without realizing it, many who argued the movie should be released did so by invoking one of the most common economic fallacies.
Sunk Costs are Sunk
People, whether in business or just daily activities, make their decisions based on whether they think the benefits will outweigh the costs.
When a studio greenlights the creation of a movie, the studio heads must believe the benefit they get is more than what it will cost to make the film. If a CEO expects only 100 people are willing to spend $10 for a particular movie, and hiring the actors costs them $20,000, the movie wonโt get made.
Itโs possible studios may even receive some intangible benefits from making a beautiful artistic movie, but those intangible benefits still wouldnโt warrant extremely high costs.
In a similar way, when people buy stocks, theyโll only do so if the benefit outweighs the cost. If a stock costs you $75, and youโre absolutely certain the stock will be worth $100 tomorrow, youโd almost certainly buy that stock.
So people will do something if the benefits exceed the costs. But itโs important to note that weโre talking about future benefits and future costs. Past costs have no place in future decision-making.
To understand why, letโs return to our stock example.
Say after buying your stock the price actually fell the next day from $75 to $50. Even worse, you now have a strong reason to believe the price will fall to $25 tomorrow. What should you do? Well, assuming your intuition is right you should certainly sell.
While there may be a temptation to hold on to the stock to โmake back what you lost,โ itโs important to note that if you do hold the stock when it drops from $50 to $25, the final result is that youโve lost $25 more dollars. The fact that you already lost money does not change the fact that selling at $50 leaves you richer than โriding it outโ and letting it fall to $25.
The initial loss when the stock falls in value from $75 to $50 is what economists call a โsunk cost.โ It isnโt recoverable and shouldnโt change the decision to sell the stock before it falls to $25. While people may dislike the idea of โselling at a loss,โ itโs superior to an even bigger loss.
When people believe they should act on sunk costs rather than future costs, economists call this the โsunk cost fallacy.โ
And the sunk cost fallacy applies to movies too.
The question on whether releasing Batgirl is a good idea has nothing to do with the $90 million already spent on production. That money is a sunk cost.
What matters for the studio is whether the release of Batgirl will bring in more money than the release would cost in the future.
Cancel or Cost
So what would be the relevant costs of releasing Batgirl?
First, as IGN points out, WBD might lose out on tax write-offs if the movie is released. But this isnโt the only cost.
Whether company resources are used to put Batgirl in theaters or on a streaming service, those resources could be used to promote and place other projects instead. Each dollar spent making Batgirl available to viewers is a dollar not spent on a different project.
Finally, and maybe more importantly, WBD could have an enormous cost imposed on their brand if Batgirl turned out to be a bad movie.
The โDC Extended Universeโ has already experienced its fair share of troubles. Critics and audiences have been disappointed by several portrayals of DC heroes.
From personal experience, I havenโt paid to watch a DC movie in theaters since the total dud portrayal of Superman that was Man of Steel.
Iโm not interested in watching a DC Universe that canโt get its flagship hero right. And many fans may decide a bad Batgirl movie is the straw that breaks the camelโs back.
So even if DC already spent $90 million producing the movie, what good would it do to release the movie if it alienated more fans than it satisfied?
Although Iโm not privy to any insider information, my suspicions are strongly towards this last explanation. The Marvel Cinematic Universe stands as an example of how valuable the comic book movie brand can be, and itโd be no surprise if WBD executives were trying to raise the bar on DC movies to reach that level.
So WBDโs decision to cut the already-finished Batgirl isnโt some crazy mistake where a corporation is abandoning a valuable movie.
The company likely believes the cost is greater than the benefit. And given the recent track record of DC movies, I donโt doubt theyโre right.
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